Kill the Farm Boy (The Tales of Pell #1) by Delilah S. Dawson & Kevin Hearne
There is something about a talking goat in a fantasy novel that sets the stage for shenanigans. But Shenanigans are just one of the reasons I adore Kill the Farm Boy by Delilah S. Dawson and Kevin Hearne. Also, I’m reasonably sure these two were a part of a Dungeons & Dragons campaign, and they got kicked unceremoniously.
Jurassic Park by Michael Crichton
WARNING: Book contains graphic imagery of violent dinosaurs attacks.
Nothing fascinates a five year old quite like dinosaurs and no franchise in history has cornered the market on these bird/reptile beings quite like Jurassic Park . I’m sure there are very few people in the world today who haven’t seen Spielberg’s 1993 movie masterpiece Jurassic Park. When I was a kid that theme song was fire (honestly it still is). I’m normally not one who would watch a film before reading the book. However Jurassic Park by Michael Crichton did come out when I was attending kindergarten, so I’m going to cut myself some slack.
The Bees by Laline Paull
I used to think I knew what bees were about. Little buzzy insects whose life purpose is to gather pollen, make honey, and protect their queen who keeps pumping out replacement bees. While all of this is true, I had no idea the socio-implications that brew under the surface of every bee hive. The Bees by Laline Paull does a fantastic job of bringing you into the world of bees and for the first time you see just what the world is actually like for them.
Spinning Silver by Naomi Novik
My previous encounter with a retelling of a fairytale left me feeling as though molten anger was seeping from every pore. I honestly thought it would be a while before I trusted myself to try another. Thankfully, I listen to The Overdue Podcast and they were able to convince me that Spinning Silver by Naomi Novik was not only a great retelling but just a great story overall. Because of this it was one of my first selections for my BoTM subscription.
The Sun Temple by B.F. Spath
***A huge thank you goes directly to the Author, B.F. Spath, who entrusted me with a copy of his novel in exchange for an honest review***
As a high school emo kid I remember wanting to prove that I understood deep meaningful literature. I too wanted to go on a journey of enlightenment through the pages of books. Others might have a hard time understanding, but I wouldn’t. I would “get it.” My first and only deep dive into this was when I attempted to read Naked Lunch by William S. Burroughs. I made it five pages before I realized, “hmmm, I really don’t get this.” Then I proceeded to put it on my bookshelf and have not touched it for years. I feel like B.F. Spath‘s The Sun Temple is in the same vein, but the difference here is I actually read a bit further.
The Sandman Vol 1: Preludes & Nocturnes by Neil Gaiman, Illustrated by Sam Keith & Mike Dringenberg
There is an endless love in my soul for Neil Gaiman. He is everything I would love to be as a writer. Even still, I have never once picked up a copy of The Sandman – until now. Though I’ll admit picking up a graphic novel is covered in the shadow of bad graphic novels of the past. What I love about Gaiman is his ability to make a dark story seem light. There is always an element of darkness, but never fear and I appreciate that this is a feeling unique to his stories. Vol 1 of The Sandman: Preludes and Nocturnes did not differ from this.
If you follow along with my site/blog (and I hope most of you do) then you would have noticed that there has been a lack of consistency over the last two or so months. It may be too little, too late, but I am here to explain what has been going down on my end of things.
“Each time I die, I wake up in the body of his next victim. Time is never on my side, and I am running out of lives.”
“For as long as you can remember you’ve had this weird dream: You’re lying on a metal table, a light in your face, a dark silhouette stands above you. ‘She isn’t ready. Send her back.’ the voice says. Then you wake up. Tonight you sleep, except this time the voice says, ‘She’s ready. Pull her out.'”